Presonus Studio Live 16 Series III Mixer

StudioLive 16 is arguably the most powerful mixer in its class

This mixer represents the third generation of Presonus’ world-renowned StudioLive series, which can be used comfortably both in the studio and on stage. With its revised and updated features, vintage-EQ and compression can be applied to each channel. StudioLive 16 has 17 XMAX preamps whose settings can be stored and recalled, 17 touch sensitive motorized faders and an SD card input that allows you to record multi-track recordings.

With QMix software, artists have complete control over their mix. In addition, you can meet all your needs with the included “UC Surface 2” touch control software, Capture recording software and Studio One Professional recording/editing/mixing/mastering software.

With all these features, StudioLive 16 knows no competitors in its category for live sound and studio recording.

Presonus StudioLive 16 Digital Mixer at a glance

• 3 different possibilities for multi-track recording
• 17 flawless XMAX preamps
• Flex Mixes allow unlimited flexibility for any application
• LAN outputs provide convenient monitoring option for both studio and stage use
• Advanced processing for EQ, compression and effects
• With $300 Studio One Professional software

3 different possibilities for multi-track recording

StudioLive 16 offers three different possibilities for multitrack recording. The SD card recorder on it allows you to record from all inputs at the same time, and allows you to perform virtual soundcheck without the need for a computer. In addition, 38 channels can be recorded and played back when connected to a computer via USB. Finally, 55 channels of recording and playback are available via the LAN port on the AVB protocol.

17 flawless XMAX preamps

Correctly; The 17 Class A XMAX preamplifiers above StudioLive 16 actually look like they belong in the studio environment. With the high headroom and incredibly low noise they provide, the sound produced is of an unexpectedly high quality from any live sound mixer. It’s also incredibly convenient when mixing or recording the same band or show, as all preamp settings can be stored and recalled.

Flex Mixes allow unlimited flexibility for any application

We all know how difficult it is to use the same mixer for different tasks. 16 FlexMix on StudioLive 16 offers a solution for every conceivable application. Flex mixes can be used as Aux mix, Subgroup and Matrix mixes in any way the application requires. Do you need different monitor mixes for a large group? No problem, you can create 16 Aux mixes whenever you want. The same is true for Subgroup (ideal for theaters) and Matrix mixes (for multi-zone venues). In a nutshell, StudioLive 16’s Flex Mixes allow you to adapt your mixer to the job at hand.

LAN outputs provide useful monitoring option for both studio and stage use
With the LAN port on StudioLive 16, it connects to Apple iOS devices and offers a unique remote control. Thanks to this opportunity, you can edit your mix on your iPad while walking around the venue and/or musicians can adjust their mixes on their own phones with the Qmix function.

Advanced processing for EQ, compression and effect

StudioLive series mixers have always come to the fore with their unique effects and processing possibilities (EQ, Compressor, Limiter, gate). With the four built-in effects on it, you can combine reverb, delay and other effects as you wish for monitor mixes, groups and desired channels. In addition, effects can be used as inserts for any 4 channels you want. Finally, there is the possibility of applying vintage EQ and compressor to each channel.

Features

• 17 touch sensitive motorized fader
• Inputs/outputs
  • 24 total entries
  • 16 channel input: 8 mic + 8 mic/line
  • 1 XLR talkback input
  • 2 stereo Aux inputs
  • 10 Flex mix outputs: 6 XLR, 4 TRS
  • Unbalanced RCS tape input and output
  • Bluethooth 4.1 wireless tape login
  • Stereo AES/EBU output
  • 2 XLR main outputs
  • XLR main mono output
  • 2 TRS monitor output
  • Stereo Headphone out
• Channels and busses
  • 32ginput channel
    • 16 XMAX Class A Preamps whose settings can be stored
    • 16 over USB and AWB
  • 2 stereo aux inputs
  • 26 Buss
    • 16 Flex mix (can be used as aux, subgroup or matrix mix)
    • 4 subgroups
    • 4 internal effects send
    • Stereo main buss
  • 24 Filter DCA
• Registration possibilities
  • 34×34 SD recorder (with Capture™)
  • 38×38 with USB
  • with 55×55 AVB
• 16 channel digital mixer with built-in SD card recorder
• Record and playback up to 34 channels via USB, 55 channels via Ethernet AVN
• Built-in CD card support for multi-track recording and virtual soundcheck
• XMAX preamps with ultra-low noise and all settings can be stored and recalled
• 24 DCA groups
• Four internal effect layers
• Vintage EQ and compression to each channel with “Fat Channel processing”
• Color touch screen and channel “scribble strips”
• Aux Mix, Subgroup and Matrix Mixing with 16 Flex Mixes
• Audio streaming from smartphones or tablets with Bluetooth wireless connection
• UC Surface 2 ships with touch control software, “Capture” recording software, Studio One Professional 3 DAW software, and QMix personal monitoring software.

Microphone Preamplifiers
Type	XLR female, balanced
Frequency Response (Main out)	20 Hz to 20 kHz ±0.5 dBu
Input impedance	1 kΩ
THD (Main Out)	< 0.005%, +4 dBu, 20-20 kHz, 0 gain, unwtd
Signal / Noise (Main out)	94 dB
Common Mode Rejection Ratio	65 dB
Gain range	0 dB to +60 dB
Maximum entry level	+12 dBu
Phantom power	+48 VDC
Line level entries
Type	1/4″ TRS female, balanced mono
Frequency Response (Main out)	20 Hz to 20 kHz ±0.5 dBu
Input impedance	10 kΩ
THD (Main Out)	< 0.005%, +4 dBu, 20-20 kHz, 0 gain, unwtd
Signal / Noise (Main out)	94 dB
Maximum entry level	+18 dBu
Tape entries
Type	RCA female, unbalanced (stereo double)
Maximum entry level	+12 dBu
XLR outputs
Type	XLR male balanced
Output level	+24 dBu
Output impedance	100Ω
Line exits
Type	1/4″ TRS female, balanced
Output level	+18 dBu
Output impedance	100Ω
Tape outputs
Type	RCA female, unbalanced (stereo double)
Output level	+18 dBu
Output impedance	100Ω
Headphone outputs
Type	1/4″ TRS female, balanced (stereo double)
Max output	100 mW/ch. @ 60Ω load
Frequency Response	20 Hz to 20 kHz ±0.5 dBu
THD	0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
Sign / Noise	96 dB, 1 kHz, max gain, 20 Hz BW, unwtd
System Crosstalk
From input to output	-90 dBu (Ref = +4 dBu, 20 Hz – 20 kHz, unwtd)
Consecutive channels	-87 dBu (Ref = +4 dBu, 20 Hz – 20 kHz, unwtd)
Digital Audio
ADC Dynamic Range	115 dB (A-wtd, 48 kHz)
DAC Dynamic Range	115 dB (A-wtd, 48 kHz)
USB	USB 2.0, Type-B
Bluetooth™Input	4.1, Stereo
Internal action	32-bit, floating point
Sampling	48 kHz
A/D/A bit depth	24
Reference level for 0 dBFS	+18 dBu